Category Archives: Information

Zen Meditation

‘A practical guide based on the approach used at Throssel Hole Buddhist Abbey’.

Hi there, a new teaching aid has just become available and I thought you’d want to know about it. Here’s what it says on the back of the DVD version.

Zen Meditation deals with the fundamentals of the practice of zazen, of sitting meditation. It includes a detailed description of the physical and mental aspects of the practice and shows how the principles of meditation can be applied to the activities of our daily life. It shows how we can be still within the events of life and experience things as they are, with nothing added or taken away, and explains how such acceptance can lead to the realizaton of our true nature.

A Teaching Tool: I show ‘Zen Meditation’ to new people here. In particular, the segments on training in daily life and setting up a regular practice. If you want to learn to meditate and you are not near a priory, group or monastery to receive instruction in person, this DVD is the very next best way to get started.

You can buy it here: The monk who runs the Bookshop at Throssel wrote me saying: “Yes, we have the DVD (and video) and it would be fine for people to email and ask for a copy. I can tell them the postage cost if it is outside the UK. ( The cost of one, including postage and packaging airmail to USA and Canada (small packet) is £7.75.) We do appreciate payment in £ sterling, or a direct transfer to our bank account. We can’t take credit cards.”

Many thanks: to Tony Lee, Peter Major, Virginia Lee and Lee Upton as well as the monks of Throssel Hole Buddhist Abbey, and all the others who helped to bring us this useful teaching aid.

Nice to see the production team members come out from behind the camera, and microphone too!

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Passing on the Teaching

As good fortune would have it I just received, via email, a link to an article on receiving the Buddhist Precepts. There is a lot of good teaching in it for those who have received lay ordination and those who have not, and may never do so. I should mention that we do not follow the practice of new aspirants sewing a rakusu (small kesa) and to not give a Buddhist name at the time of Jukai, (Ten Precepts Meeting). The teaching given in the article about the making a giving of the small kesa still stands very true though. Lay Ministers of our Order wear a blue/green small kesa which is made for them and given by a senior monk when they become lay ministers. Here is a photo so you can see what a small kesa looks like and to take you into the spring heat of China in May…


I’m wearing a small kesa. Iain Robinson who is a lay minister was not wearing his at the time. Taken this May during a visit to Tiantong Temple near Ningbo, Zhejiang where Zen Master Dogen came to practice in the 12th Century. That’s the Abbot and his mother in the middle with other relatives and attendants.

Looking back on early postings I realize that there is hardly a mention of the visit to this temple. Making postings while in China at all was quite a struggle though. Got anything to say Iain?

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Reciting on F

How many times have I walked into a music shop and asked for an f tuning fork only to be met with kindness, to be sure, but no promises of an f fork? It would seem they are not used much and so for years my efforts have been in vein. That is until the other week when I strolled into a music shop, in the now famed, Whyte Avenue close to the Priory. The sales woman, Lisa, went to a lot of trouble to track down a source for me and the other day I picked up this one. A magnificent aluminum tuning fork, it’s a whopper too.

Our scriptures were translated into English and set to Gregorian chant by Rev. Master Jiyu-Kennett and much of what we sing has a ‘reciting note’ of f, thus the need for the fork. It is paramount to start off a scripture on the right note as things can go down hill, musically, very fast if you don’t. When I’m precenting I prefer to use a tuning fork rather than a pitch pipe as a pipe, powered by breath, can sound a bit odd ‘honking’ in the middle of a ceremony!

In an interview Rev. Master gave with Lenore Friedman she spoke about translating the scriptures and setting them to Gregorian chant. Which is a variety of plainsong by the way, something I’m glad to have got clear for myself. That interview, along with interviews with other leading female Buddhist teachers in North America, were edited into a book entitled ‘Meetings With Remarkable Women’ published by Shambhala. It came out in the 1980’s and has since been republished in a Revised and Updated Edition around 2000. It’s well worth getting hold of a copy as, apart from the references to music, the interview give a sense of Rev. Masters’ humanity and great sense of humour too. Also Lenore paints a picture of training at Shasta Abbey, as seen through her eyes during a weekend stay there.

Here is an extract from the aforementioned interview for your interest:
“…there are twenty-four scales in Gregorian—and there are peregrinating ones as well. Which means if you choose the right ones, you can avoid the emotionalism. Interestingly enough, regarding our major and minor scales, the major is one of the twenty-four, which is the war scale. All our major music is written in the scale that encourages anger and violence. And all our minor music (which is the Aeolian) is the death scale, in which people made all their funeral music.” “I do most of mine in the Phrygian, which is very cool and starry and still. And it gives the perfect effect. I also use the peregrinus mode because that’s extraordinarily good for very long lines.”
From
Meetings With Remarkable Women, published by Shambhala.


Well, this has all been very instructive. I expect there are readers who know a lot more about plainsong, and music generally, than I do. I’m no expert. If anybody needs to get a copy of our Scriptures and Ceremonies you can buy a CD, or an audiotape version, from the
Throssel Hole Buddhist Bookshop. They may well ship to North America.

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Dharma Relatives Explained

John, you ask me what Dharma Relatives are and I realize there may be others who do not know completely what that term means. In the context of this journey to Asia my ‘relatives’ are monks and nuns who share the same religious ancestors. For example, Seck Lee Seng, of Cheng Hoon Teng, where I am at the moment, is my Dharma Aunt by virtue of being the monastic disciple of Seck Kim Seng who also ordained Rev. Jiyu-Kennett into the priesthood back in 1962. They both have the same Master, Seck Kim Seng, who is referred to as my Grand Master and his Master as my Great Grand Master.

After ordination within the Chinese Tradition here in Melaka Rev. Master Jiyu then went on to Japan to be received into the Soto Zen Church to study with and eventually receive Dharma Transmission by Koho Zenji at Sojiji. I thus have two sets of Dharma relatives making my family a very very large one. An interesting part of having this duel Chinese/Japanese background are the different robes used within each tradition.

A note on robes: At present I am wearing the robes used in the Chinese tradition, they are cooler and also I pose fewer questions when I encounter people in temples or on the street. The small kesa for example is worn by Japanese monks but not here in Malaysia, or Taiwan. Explaining the kesa in English takes time and care so explaining it for translation takes even more care, and time. So I decided to wear what everybody else wears here to make life simple and make it easier for people to approach me, I may be a westerner but at least I look like a nun. (I was given Japanese monastic clothing not currently used by us in the Order while in Japan). Each time I receive a new item it is carefully explained to me how to wear it, fold it, put it on take it off etc. etc. and everybody wants me to get it right! What is more there is etiquette about what can be worn ‘outside’ and what is OK within the temple, under certain conditions. Lots to learn. There is even more to say on what I see lay devotees wearing here within the Chinese Tradition however that will have to come in a latter Blogger posting.

We talk about the teachings of Buddhism being ‘transmitted’ from Master to disciple, and the unbroken line of master/disciple connections as the ‘Ancestral Line’. In our tradition particularly, Soto Zen, we emphasis the importance of this line of ancestors. We regard it of paramount importance that what is passed on through the centuries is kept true to the source i.e. we point directly to what Shakyamuni pointed to and encourage others to know what Shakyamuni knew/knows. Well, that may have confused a few of you, hopefully not too much, and maybe also given you a glimpse into how the monastic Sangha is organized. I guess it is obvious that the seniority of monks is based on ordination date and that the basis of keeping harmony in the Sangha is mutual respect, mutual bowing.

So, coming full circle, this journey has been an opportunity to pay my respects to those who have gone before me and to those who travel the path of Buddhism in this Dharma Family now. It has included sites in Japan, Malaysia and China, and living relatives in a number of the countries I have been to. During temple visits as my poor brain staggers to catch up with me I realize, once again, that I am in the presence of yet more Dharma Relative.

Writing all of this makes what I was shown this afternoon in the Seck Kim Seng Memorial Library and Archive all the more interesting. After six hours out in the heat on tour in Melaka with Shih Fu I stumbled into the library on my way to take a short break. To cut a long afternoon of adventure short I believe I have just been shown certificates passed on from Master to Disciple at the time of ordination and transmission dating back to the time my Great Grand Master was authorized to teach by his Master way back in China at a temple called Fu Ching on Kui Shang (Turtle Mountain) in Hokkien Province. I know Iain will be noting down this information and diving for a map! I have come to appreciate maps too Iain!

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Keizan Zenji’s Temple, Yokoji.

Yokoji was perhaps our most important ‘discovery’ in researching this visit. In the short biography of Keido Chisan Koho Zenji in the Shasta Press edition of ‘Soto Zen,’ it is called by an alternative name of ‘Eiko-ji’ so we were a little slow to realise just how important this temple was to our direct Dharma Family.

Yokoji is the temple where Keido Chisan was ordained by Koho Hakugan and trained as a young monk in the 1890’s. He was later the 512th abbot of the temple. It is located in the hills behind the small town of Hakui halfway up the west coast of Noto – the peninsula that sticks out northwards into the sea of Japan about halfway along the coast of the main island of Honshu. This is the original heartland of Soto Zen practice in Japan.

Yokoji is also a very important place in the wider transmission of the Soto tradition. We usually think of Sojiji as being Keizan’s most important temple but actually Yokoji was his main place of practice during his own lifetime – the first he established in 1312 and also where he is buried.

There is also a unique place of pilgrimage at Yokoji – the Gohoro. This is a mound on the hillside behind the temple containing relics associated with five Ancestors in our tradition – Tendo Nyojo, Eihei Dogen, Koun Ejo, Tettsu Gikai and Keizan Jokin.

Only the gatehouse survives of Keizan’s original buildings but the plan of the temple follows the classic form of the original with the Hatto directly ahead as you pass through the entrance and the meditation hall and bell tower to the left and administrative buildings and kitchen to the right.
By Iain.

Mr Gouda in the back row is in charge of the temple office. The five people here basically run and maintain the temple, Rev. Koho lives in a nearby town and comes to the temple each day.

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